Fern from Jean Toomer’s Cane

Since I can’t find this incredible piece of literature anywhere on the net I’m throwing it on. Quotes are taken from “Call and Response: The Riverside Anthology of African American Literature” (c) 1998 Houghton Mifflin

Start to finish, “Fern” is about the girl’s eyes. Fern’s eyes are almost a character in the story all by themselves… they are mesmerizing whirlpools that suck black men in but white men “let her alone” (961). A white man once had to flick a “young Negro” with his whip to get by on the road in front of Fern’s house. This is the great mystery of Fern (and her eyes) throughout the piece: while appearing to signal “that nothing was to be denied”, “men saw her eyes and fooled themselves.” (960)

Fern’s effect on the narrator is strange, entrancing and utterly irresistible. “I felt that things unseen to men were tangibly immediate.” Consider another quote from 962, “Nothing ever came to Fern, not even I.” In many ways the narrative’s story with Fern follows very closely Toomer’s own frustrated attempts at self-definition, self-understanding and self-knowledge.

Fern herself doesn’t likely represent African Americans in any significant way being likely Jewish or bi-racial. Instead she represents a hole for African Americans to dump unfulfilled hopes and dreams into. Opportunity, while appearing as if it will not deny the African American, is always just out of reach.

The phrase “Saw her face flow into them, the countryside and something that I call God, flowing into them . . . Nothing ever really happened” sums up what Fern represents: a graveyard for the unfulfilled fever dreams of African Americans. “Face” could represent equal status in society that African Americans sought after. The “countryside” could represent that idea of “home” or a place of their own. This is confirmed by Toomer’s numerous references to Jewish cantors throughout the short story. Cantors of the time would have been pining for their own land, Israel, which would not become a nation until 1948. “God” speaks to ultimate truth or reality, something that eluded Toomer in his lifetime. All these things are swallowed up by Fern’s eyes and she herself is indifferent.

Every black man was determined to “do something for her” but nothing ever happened. Nothing ever impressed her. Nothing ever changed.

Without further ado, here it is:

Jean Toomer

Jean Toomer Fern from Cane Copyright © 1923

Pour O pour that parting soul in song,
O pour it in the sawdust glow of night,
Into the velvet pine-smoke air to-night,
And let the valley carry it along.
And let the valley carry it along.

O land and soil, red soil and sweet-gum tree,
So scant of grass, so profligate of pines,
Now just before an epoch’s sun declines
Thy son, in time, I have returned to thee,
Thy son, I have in time returned to thee.

In time, for though the sun is setting on
A song-lit race of slaves, it has not set;
Though late, O soil, it is not too late yet
To catch thy plaintive soul, leaving, soon gone,
Leaving, to catch thy plaintive soul soon gone.

O Negro slaves, dark purple ripened plums,
Squeezed, and bursting in the pine-wood air,
Passing before they stripped the old tree bare
One plum was saved for me, one seed becomes

An everlasting song, a singing tree,
Caroling softly souls of slavery,
What they were, and what they are to me,
Caroling softly souls of slavery.

Fern From Cane by Jean Toomer. Copyright © 1923

Face flowed into her eyes. Flowed in soft cream foam and plaintive ripples, in such a way that wherever your glance may momentarily have rested, it immediately thereafter wavered in the direction of her eyes. The soft suggestion of down slightly, like the shadow of a bird’s wing might, the creamy brown color of her upper lip. Why, after noticing it, you sought her eyes, I cannot tell you. Her nose was aquiline, Semitic. If you have heard a Jewish Cantor sing, if he has touched you and made your own sorrow seem trivial when compared with his, you will know my feeling when I follow the curves of her profile, like mobile rivers, to their common delta. They were strange eyes. In this, that they sought nothing—That is, nothing that was obvious and tangible and that one could see, and they gave the impression that nothing was to be denied. When a woman seeks, you will have observed, her eyes deny. Fern’s eyes desired nothing that you could give her; there was no reason why they should withhold. Men saw her eyes and fooled themselves. Fern’s eyes said to them that she was easy. When she was young, a few men took her, but got no joy from it. And then, once done, they felt bound to her (quite unlike their hit and run with other girls), felt as though it would take them a lifetime to fulfill an obligation which they could find no name for. They became attached to her, and hungered after finding the barest trace of what she might desire. As she grew up, new men who came to town felt as almost everyone did who ever saw her: that they would not be denied. Men were everlastingly bringing her their bodies. Something inside of her got tired of them, I guess, for I am certain that for the life of her she could not tell why or how she began to turn them off. A man in fever is no trifling thing to send away. They began to leave her, baffled and ashamed, yet vowing to themselves that some day they would do some fine thing for her: send her candy  every week and not let her know whom it came from, watch out for her wedding-day and give her a magnificent something with no name on it, buy a house and deed it to her, rescue her from some unworthy fellow who had tricked her into marrying him. As you know, men are apt to idolize or fear that which they cannot understand, especially if it be a woman. She did not deny them, yet the fact was that they were denied. A sort of superstition crept into their consciousness of her being somehow above them. Being above them meant that she was not to be approached by anyone. She became a virgin. Now a virgin in a small southern town is by no means the usual thing, if you will believe me. That the sexes were made to mate is the practice of the South. Particularly, black folks were made to mate. And it is black folks whom I have been talking about thus far. What white men thought of Fern I can arrive at only by analogy. They let her alone.

 

Anyone, of course, could see her, could see her eyes. If you waked up the Dixie Pike most any time of day, you’d be most likely to see her resting listless-like on the railing of the porch, back propped against a post, head tilted a little forward because there was a nail in the porch post just where her head came which for some reason or other she never took the trouble to pull out. Her eyes, if it were sunset, rested idly where the sun, molten and glorious, was pouring down between the fringe of pines. Or maybe they gazed at the gray cabin on the knoll from which an evening folk-song was coming. Perhaps they followed a cow that had been turned loose to roam and feed on cotton-stalks and corn leaves. Like as not they’d settle on some vague spot above the horizon, though hardly a trace of wistfulness would come to them. If it were dusk, then they’d wait for the search-light of the evening training which you could see miles up the track before it flared across the Dixie Pike, close to her home. Whereever they looked, you’d follow them and then waver back. Like her face, the whole countryside seemed to flow into her eyes. Flowed into them with the soft listless cadence of Georgia’s South. A young Negro, once, was looking at her, spellbound, from the road. A white man passing in a buggy had to flick him with his whip if he was to get by without running him over. I first saw her on the porch. I was passing with a fellow whose crusty numbness (I was from the North and suspected of being prejudiced and stuck-up) was melting as he found me warm. I asked him who she was. “That’s Fern,” was all that I could get from him. Some folks already thought that I was given to nosing around; I let it go at that, so far as questions were concerned. But at first sight of her I felt as if I had heard a Jewish cantor sing. As if his singing rose above the unheard chorus of a folk-song. And I felt bound to her. I too had my dreams: something I would do for her. I have knocked about from town to town too much not to know the futility of mere change of place. Besides, picture if you can, this cream-colored solitary girl sitting at a tenement window looking down on the indifferent throngs of Harlem. Better that she listen to folk-songs by dusk in Georgia, you would say, and so would I. Or, suppose she came up North and married. Even a doctor or lawyer, say, one who would be sure to get along—that is make money. You and I know, who have had experience in such things, that love is not a thing like prejudice which can be altered by changes of town. Could men in Washington, Chicago, or New York, more than the men of Georgia, bring her something left vacant by the bestowal of their bodies? You and I who know men in these cities will have to say, they could not. See her out and out a prostitute along State Street in Chicago. See her move into a southern town where white men are more aggressive. See her become a white man’s concubine…. Something I must do for her. There was myself. What could I do for her? Talk, of course. Push back the fringes of pines upon new horizons. To what purpose? And what for? Her? Myself? Men in her case seem to lose their selfishness. I lost mine before I touched her. I ask you, friend (it makes no difference if you sit in the Pullman or the Jim Crow as the train crosses her road), what thoughts would come to you—that is, after you’d finished with the thoughts that leap into men’s minds at the sight of a pretty woman who will not deny them; what thoughts would come to you, had you seen her in a quick flash, keen and intuitively, as she sat there on her porch when your train thundered by? Would you have got off at the next station and come back for her to take her where? Would you have completely forgotten her as soon as you reached Macon, Atlanta, Augusta, Pasadena, Madison, Chicago, Boston, or New Orleans? Would you tell your wife or sweetheart about a girl you saw? Your thoughts can help me, and I would like to know. Something I would do for her….

 

One evening I walked up the Pike on purpose, and stopped to say hello. Some of her family were about, but they moved away to make room for me. Damn if I knew how to begin. Would you? Mr. and Miss So-and-So, people, the weather, the crops, the new preacher, the frolic, the church benefit, rabbit and possum hunting, the new soft drink they had at old Pap’s store, the schedule of the trains, what kind of town Macon was, Negro’s migration north, bollweevils, syrup, the Bible—to all these things she gave a yassur or nassur, without further comment. I began to wonder if perhaps my own emotional sensibility had played one of its tricks on me. “Lets take a walk,” I at last ventured. The suggestion, coming after so long an isolation, was novel enough, I guess, to surprise. But it wasn’t that. Something told me that men before had said just that as a prelude to the offering of their bodies. I tried to tell her with my eyes. I think she understood. The thing from her that made my throat catch, vanished. Its passing left her visible in a way I’d thought, but never seen. We walked down the Pike with people on all the porches gaping at us. “Doesn’t it make you mad?”  She meant the row of petty gossiping people. She meant the world. Through a canebrake that was ripe for cutting, the branch was reached. Under a sweet-gum tree, and where reddish leaves had dammed the creek a little, we sat down. Dusk, suggesting the almost imperceptible procession of giant tress, settled with a purple haze about the cane. I felt strange, as I always do in Georgia, particularly at dusk. I felt that things unseen to men were tangibly immediate. It would not have surprised me had I had vision. People have them in Georgia more often than you would suppose. A black woman once saw the mother of Christ and drew her in charcoal on the courthouse wall…. When one is on the soil of one’s ancestors, most anything can come to one….From force of habit I suppose, I held Fern in my arms—that is, without at first noticing it. Then my mind came back to her. Her eyes, unusually weird and open, held me. Held God. He flowed in as I’ve seen the countryside flow in. Seen men. I must have don something—what, I don’t know, in the confusion of my emotion. She sprang up. Rushed some distance from me. Fell to her knees, and began swaying, swaying. Her body was tortured with something it could not let out. Like boiling sap it flooded arms and fingers till she shook them as if they burned her. It found her throat, and spattered inarticulately in plaintive, convulsive sounds, mingled with calls to Christ Jesus. And then she sang, brokenly. A Jewish cantor singing with a broken voice. A child’s voice, uncertain, or an old man’s. Dusk hid her; I could hear only her song. It seemed to me as though she were pounding her head in anguish upon the ground. I rushed to her. She fainted in my arms.

 

There was much talk about her fainting with me in the canefield. And I got one or two ugly looks from town men who’d set themselves up to protect her. In fact, there was talk of making me leave town. But they never did. They kept a watch-out for me, though. Shortly after I came back North. From the train window I saw her as I crossed the road. Saw her on her porch, head tilted a little forward where the nail was, eyes vaguely focused on the sunset. Saw her face flow into them, the countryside and something that I call God, flowing into them … Nothing ever really happened. Nothing ever came to Fern, not even I. Something I would do for her. Some fine unnamed thing….And, friend, you? She is still living, I have reason to know. Her name, against the chance that you might happened down that way, is Fernie May Rosen.

 

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2 responses to “Fern from Jean Toomer’s Cane”

  1. SoNice says:

    Thank you!!!

  2. rosebud says:

    yesss!